Sunday, December 28, 2014

Fleece baby blanket

1. Select a nice soft fleece pattern and a flannel pattern. Cut the flannel backing to be 3-4" bigger than the fleece front.


2. Roll the outer edge twice, folding the flannel over the fleece. Pin.




3. Fold corners and pin.










4. Sew the edges of the flannel to the fleece. This took about the length of time it takes to watch four comedy specials on Netflix.










Knot the front to the back and you're done! Happy (upcoming) Birthday to my newest, teensiest friend.







Creating a stained glass panel

1. Decide where you want to put the panel (for me it was the bathroom window) and measure the space EXACTLY. Glass is inflexible, so make sure you know what space you're working with from the beginning. This is the time to decide whether or not to add a zinc channel frame. I'd recommend this for larger pieces, but you will need to factor in .5" or .75" per side.)

2. Find or design a pattern. Keep in mind the proportions (square? Vertical? Horizontal?) of the space you want to fill. I found a pattern I mostly liked, took it to Kinkos to have it blown up then used whiteout and a sharpie to do some editing.

3. Create a frame to work inside. Find a large flat area to work on and long straight strips of wood you can nail into your workspace. I used an old door and some wooden garden stakes. 

Use the measurement from step 1 to create a workspace exactly the same size as the place you want your panel to fit. If it fits in your measured frame, it will fit in your window.

4. Now for the fun part! It's time to choose your glass. I photocopied the small versions of my pattern and used colored pencils to try different color combinations. 

You will want to take some measurements on the scaled up pattern so you know how big of a piece of glass to buy. For example, the thicker arch in the middle was about 14" wide and 8" tall, so I needed a piece a couple inches larger than that for cutting.

5. Lay in pieces of glass to see if you like the balance of colors. It sounds like a silly step, but if you're creating an archival piece you need to be sure you love it.


6. Trace your scaled-up pieces onto the glass with a sharpie and start cutting. (No tutorial here on cutting and grinding. Maybe another time if there is interest.) Sharpie washes off of glass with soap and water so you can even write orientation notes to yourself like "top left."

 two big ideas here:
First, when you are fitting pieces together, remember to leave a thin gap. You want some space for the solder to fill in. If the glass pieces are butted up exactly against each other there is nowhere for the solder to go. It just lays on top and you won't have a sturdy seam.

Second, cut the glass as close to perfect as you can. It is much easier to cut a 6x6" square than to cut 6.25x6.25" and think you can trim or grind it down. You may be able to trim small increments sometimes, but you take the risk of chipping or cracking the piece and starting all over anyway. You will save time and heartache (and glass) by measuring, tracing and cutting exactly. No rushing!



7. Solder is a lead/tin metal mixture that will not stick to glass so you must wrap each piece in adhesive copper foil tape. It comes in different widths, but for this project I chose .25" width. It's thicker than you might use for something like a sun catcher, but this piece is roughly 20x30" and needs to be structurally secure. 

Also for structural purposes I soldered lengths of copper wire into every seam.

8. This step took like 3 weeks and 4 rolls of solder. First, paint flux (a mild acid) over one seam at a time. This step ensures the copper foil is clean and the solder will adhere solidly. Next, melt solder over every seam, ensuring all of the foil is covered and every gap is filled. This is the flat solder stage and it doesn't matter too much what it looks like. Then flip your panel and do the other side.

Now it's time to make the solder pretty. Paint flux over your flat solder, then slowly melt a smooth, shiny bead over each seam.


9. Depending on your design you may want to leave the solder silver or apply a black or copper patina. For this piece I chose a black patina, which you can pick up at any stained glass store. I poured the patina into a glass dish, dipped a paper tower into the patina, then gently wiped over the solder, again being careful not to miss any spots. Flip your panel and do the other side. The chemical reaction happens pretty quickly, and when it's done it is time to wash the sharpie, flux, and excess patina off of your lovely new stained glass panel. This piece was so big I had to take it into the bathtub to wash it. I recommend using a soft sponge and Dawn dish detergent. (Note: some patina will color just the solder, some will do both zinc and solder. check the label before you buy.) 


10. If you do a black patina consider using a paper towel and some Murphys oil to hydrate and deepen the black color and add some gloss.



Saturday, December 27, 2014

Custom watercolor design



1. Created the design in Adobe Illustrator, then print.
2. Traced the design onto watercolor paper.

3. Select colors, paint colors in with watercolor, trace black lines with ink.
4. Clean the glass, place in frame and you're done!



Sunday, September 8, 2013

nature is great for inspiration


A few weeks ago I volunteered to help with a charity 5k at Gifford Pinchot State Park.

One of my jobs was to hang out on the trail and point runners in the right direction. I was stationed across from a small clearing in the woods with a magical ray of sun splashing on a mossy tree.

I tired a few different ISOs and finally got the shot I was seeing in my mind (minus the leprechauns).


With a little time to spare and a lot of unspent ambition, I remembered this blog and began scouring the underbrush for letters.



mixed media tree #2

     Supplies:
  •  masking tape
  • a large cutting mat
  • a photocopy of a shape you would like to cut out
  • an Xacto knife
  • watercolor paper
  • textured paper of any color
  • a ruler
  • black acrylic paint
  • watercolor paint
  • paint brushes 
  • a frame. (Some might get the frame last, but I had a frame on hand and sized the piece to match.) 
I didn't have black paper, but I liked the texture of this blue charcoal paper, so I painted it black.
Wait for paint to dry.

Really saturate the paint brush with concentrated (not too much water) watercolor pigment. Paint a few strokes across the bottom of the page. Quickly dip the brush in water and make a few more swipes. Dip the brush again and make a few more swipes. If you do this quickly enough, the strokes will bleed into each other.
Continue until the page is covered with a gradation of the concentrated color. I made two or three of these background pieces until I was happy with the texture and tint. Wait for paint to dry.

Tape your photocopy to the (dry) painted background, paint side up.
(To create a mirror image of the photocopy, tape the paper paint side down.)

Begin cutting out your design. This took me about a week of careful trimming for a couple hours after work every night.

When I was done trimming the tree (pun intended) I noticed some small rips in the paint side of the paper where the original blue showed through. I laid the painted paper on a sheet of plain copy paper and gently re-painted my tree. This process covered the tiny blue spots, and created a neat reverse image of the tree that you could use as part of a series.
The next step is easy to forget, but it's important to clean your frame and glass before placing your art into it. Nobody wants a lovely field of black acrylic paint ruined by dust or paper scraps.

Sign and date your art, trim it, and place it into the frame.

Sunday, September 23, 2012

Three Months Later . . .

I think I have the final design figured out, thanks to hours of trying out different assortments with my mom and a couple hours of shopping with Amandaconda.

I tried growing my own moss (not worth it, better to find coupons and buy the stuff), tried uniform looks, larger clusters of bottles . . . thanks to My Fair Wedding with David Tutera for making me rethink everything.

The end result is one large green bottle with a candle inside, one large clear bottle with a white flower potted in moss, one additional bottle that will house some sort of elevated table number for a little height variation. I found some 6' garland with ferns in it - PERFECT for the forest theme! I can cut it in half and get two tables out of each strand. (Michaels is far superior to Joanns when it comes to fake flowers.)

I'm pretty sure this look is "the one." Time to finish them up and move on to the next project:
Forest-themed Invitations.





Tuesday, June 12, 2012

In the unlikely event you've been following this saga . . .

. . . here is an update!






I'm liking:
. . . larger candles instead of tealights, and will try pillars next.
. . . matching (color and shape) sets of bottles in varying heights.
. . . green bottles.
. . . white flowers.
. . . two candle bottles, one bottle vase.

(I apologize for gratuitous use of the ellipsis . . . .)